By Alexandra Shulman -
British Vogue editor Alexandra Shulman introduces the February 2013 issue:
As a fashion showcase, we know that it will be scanned by
designers, photographers, stylists and retailers, as well as by our
faithful non-industry readers, to see what is happening in the
fashion world, and
this year we won't disappoint. Apart from
anything else, the breadth of photography and styling emphasises
the versatility and originality of the creative side of fashion.
Mario Testino and Lucinda Chambers's homage to the exoticism of
the East contrasts with Craig McDean and Jane How's demonstration
of minimal chic, while Josh Olins and Clare Richardson have put
together a glorious tribute to grunge, inspired by Dries Van
Noten's very beautiful show last autumn. There are
so many
terrific images in the mix and it's been a privilege to see them
come about.
It's an exciting moment in the fashion industry with change all
around, and
by the time this magazine is on the newsstand, there
will no doubt be more, and confirmation of some moves that are
still rumours at this moment.
The news, last November, that Nicolas Ghesquière was leaving the
house of Balenciaga was depressing for many of us who admired his
astonishing ability to create inspiring collections season after
season - and I hope that one of the pieces of news that will break
soon is what he
will be doing next. However, in this issue, we
look at his successor, Alexander Wang, who is stepping into those
big shoes but will no doubt inject a lively dose of his own New
York street cool into the Parisian scene.
Another new name on the block is
our cover girl, Cara
Delevingne, shot by Mario for her first British Vogue
cover. Cara is one of those girls who combines energy, wit,
enthusiasm and the kind of edgy beauty that marks her out from the
general pool of beautiful models. Emily Sheffield has interviewed
her for this issue, and "Chasing Cara" vividly and accurately
portrays what it is like to meet the girl who is currently,
unquestionably the model of the moment.
Last season, while I was waiting for Roksanda Ilincic's show to
start, I decided to
run a story on the relationship between women
and their handbags. I was looking at
all the different bags on the
floor at the feet of the fashion editors, what was inside them and
how they related to their owners. Most women have an emotional
attachment to their bags. Speaking for myself, although
I love the
freedom of leaving home with only a key and a phone in my pocket,
my bag is a kind of security blanket that
I find hard to do
without, even without the practical side of what I can carry (see
left). In "To Have and To Hold", Christa D'Souza talks to other
women about this, and looks at the fashion retail phenomenon that
is the handbag.
Finally I am very pleased that we are publishing "Beyond the
Veil", by Kathleen Baird-Murray. This is a story that I am very
interested in, as it shows
not only how fashion is influenced by
external forces, but also how what we
wear and buy is so central
to the different worlds we live in. Kathleen's piece looks
at the
huge power of Islamic currency and how it has been a tremendous
driver in
the way that all the major Western fashion houses have
run their businesses in recent years, and how all the indications
are that this will continue to be the direction of movement. It's
entertaining and packed with information - just the kind of story
that makes Vogue the magazine I love.
from www.vogue.co.uk
from www.vogue.co.uk
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